CRY OF THE POOR
By Benjamin Munyao David

Chapter One: The Dust of Makueni
The morning sun crawled slowly over the dry ridges of Makueni, throwing long shadows across the cracked earth. The wind carried the scent of dust, hunger, and quiet desperation. The village of Kiumoni lay silent, its thatched roofs half-collapsed, its paths scarred by drought and time. From the distance came the sound of a rooster — faint, tired, as though even the animals had lost the will to greet another day of want.
At the edge of the village stood Naomi, a mother of three, her back bent from years of carrying water from a well that was now dry. Her youngest, Mutheu, clung to her skirt, his ribs visible beneath his faded shirt. Beside them, a yellow jerrican rolled over the dust, empty — as empty as the promises made by the leaders who never came back after election day.
“Today we go farther,” Naomi said softly, her voice cracked but firm. “There’s water near the old hills. We’ll walk before the sun becomes cruel.”
She wrapped a worn leso around her head and began the long walk, her feet bare and calloused. The horizon shimmered with heat. Behind her, Mutheu stumbled, dust rising around his small feet like a halo of suffering.
Chapter Two: Dreams in the Dust
Naomi’s husband, Muli, had once been a teacher. Before the droughts, before the government closed rural schools for lack of funds, he used to sit under the shade of a baobab tree and teach children the meaning of hope. He told them that books were ladders — that through learning, one could climb out of poverty’s pit. But poverty had no mercy; it swallowed even the strongest dreamers.
When the rains stopped three years ago, Muli went to Nairobi to look for work. He sent one letter, then nothing more. Rumors said he had joined the army of street boys scavenging for scraps near Dandora. Others said he had died in the protests. Naomi refused to believe either story.
At night, when the children slept, she would sit outside her hut and whisper to the wind, “Muli, if you can hear me, we are still waiting. The children still believe.”
Chapter Three: The Politician’s Convoy
The day the convoy came, the village stirred for the first time in months. A cloud of dust rose on the main road, and the sound of engines echoed through the valley. Children ran barefoot to see. Women adjusted their torn dresses. Men leaned on their jembes, squinting at the shiny vehicles that smelled of power and distant cities.
Out stepped Honorable Kilonzo, smiling wide, his shirt spotless white, his belly full of comfort. He spoke of development, of boreholes, of the future. Cameras clicked as he handed out sacks of unga and took pictures beside old women who had forgotten the taste of sugar.
Naomi stood at the back, her eyes not on the politician but on the boy next to him — her son Mutua, now a street vendor in town, who had disappeared a year earlier. She gasped. He looked older, thinner, his eyes distant.
When the convoy left, Naomi ran toward the road, shouting his name. But the dust swallowed her cries, and all that remained was the echo — a mother’s voice lost in the wind.
Chapter Four: The Rain that Never Came
That night, the clouds gathered but gave no rain. Lightning flashed across the hills, mocking the dry land below. The people prayed. The pastors shouted into the darkness. Children lifted their small hands to the sky. But the heavens remained silent.
Naomi’s youngest child, Mutheu, fell ill. His lips cracked, and his small body burned with fever. The clinic, ten kilometers away, had no medicine. The nurse, weary and unpaid, shook her head.
Naomi carried her son back home, his body limp in her arms. Under the dying moon, she wept. Her tears mixed with the dust, forming small circles of mud that quickly dried away — like hope itself.
Chapter Five: The Cry
When Mutheu’s breath grew faint, Naomi sang to him — the lullaby her mother once sang when the world still felt safe.
“Sleep, my child, the stars will guard you.
The night is kind, though the day was cruel.”
Mutheu smiled weakly, his eyes reflecting the small flame of their kerosene lamp.
“Will we have rain tomorrow, Mama?” he whispered.
“Yes, my son,” she said. “Rain and maize and laughter.”
He closed his eyes, a single tear rolling down his cheek. Naomi’s wail that followed pierced the silence of the valley. Dogs barked. The night froze. The villagers heard her cry and knew another soul had been claimed by poverty — that unspoken monster that fed on their dreams.
Chapter Six: Rising from the Ashes
For days, Naomi stayed in her hut, refusing food, refusing words. Then one dawn, she woke to the sound of feet outside — children’s feet. The village children stood there, holding empty jerricans, their eyes full of trust.
“Teach us, Mama Mutheu,” they said. “Tell us stories, like Muli used to. Tell us how we can fight the hunger.”
Naomi looked at them — faces thin but burning with life. And in that moment, something inside her shifted. The world had taken everything, but it could not take her voice.
She began teaching under the old baobab tree, using sticks to draw letters on the earth. She told them of heroes who rose from nothing, of women who changed nations, of hope that grows even in barren soil.
Her voice carried through the village, rising above despair like a song. And when she looked to the horizon, she swore she saw Muli — not as a ghost, but as memory and strength.
Chapter Seven: The Rain Returns
Months passed. Naomi’s small school grew. NGOs visited. A well was dug. The children drank, laughed, and sang songs about tomorrow.
The rains came at last — slow at first, then in torrents. The earth drank greedily. Crops sprouted where graves once marked hunger’s victims. The people danced in the rain, their faces turned upward, their cries mixing joy and sorrow.
Naomi stood alone under the baobab, tears mingling with rain.
She whispered, “Mutheu, you were the seed. Your cry reached the heavens.”
Chapter Eight: Beyond the Horizon
Years later, journalists came to Kiumoni to film a story called The Cry of the Poor. They found a thriving school named Mutheu Academy. Children with bright uniforms recited poems about freedom and faith. Naomi, now gray-haired and dignified, spoke to them.
“We are not poor because we have nothing,” she said softly. “We are poor when we stop believing that we can rise.”
She looked beyond the camera to the horizon — toward the hills that once mocked her. The wind blew gently, carrying with it voices of the past — of Muli, of Mutheu, of countless mothers who had cried into the dust but refused to be silenced.
And somewhere in that wind, the world finally heard the cry of the poor — not as a wail of despair, but as a call to action.
Epilogue: The Song of Tomorrow
Now, when the rains fall on Kiumoni, the children run through the puddles, singing songs Naomi taught them:
“We were dust, but we rose.
We were hungry, but we dreamed.
We cried, but our tears became rivers.”
Naomi watches from her doorway, the sky glowing orange as the sun sets behind the green hills. She smiles, knowing the story of her people will live on — carried by the wind, whispered through generations.
Because in every corner of Africa where hunger still bites, where hope still flickers, someone remembers Kiumoni.
Someone remembers the woman who refused to stop believing.
And so the cry of the poor becomes the song of the strong.
~ End ~









